BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Clicks From The Pit - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://clicksfromthepit.com
X-WR-CALDESC:Events for Clicks From The Pit
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Phoenix
BEGIN:STANDARD
TZOFFSETFROM:-0700
TZOFFSETTO:-0700
TZNAME:MST
DTSTART:20230101T000000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240816T180000
DTEND;TZID=America/Phoenix:20240816T233000
DTSTAMP:20260615T082729
CREATED:20240607T124441Z
LAST-MODIFIED:20240607T124441Z
UID:4401-1723831200-1723851000@clicksfromthepit.com
SUMMARY:Halestorm & I Prevail at Arizona Financial Theatre
DESCRIPTION:Led by charismatic vocalist/guitarist Lzzy Hale\, Pennsylvania-based post-grunge/metal quartet Halestorm are one of the most successful hard rock groups of the early 21st century. With an aggressive yet hook-heavy sound that has become a fixture of American rock radio\, Halestorm have toured restlessly\, playing hundreds of shows per year and sharing the stage with nearly all of the popular American hard rock acts of their era. In 2013\, the band took home a Grammy Award for Best Hard Rock/Metal Performance for the single “Love Bites (So Do I)\,” which appeared on their sophomore studio effort\, The Strange Case Of…. Subsequent efforts Into the Wild Life (2015)\, Vicious (2018)\, and Back from the Dead (2022) have shown the group to be equally adept at muscular hard rockers and piano-driven power ballads\, and their sound has branched out to include elements of dance music and pop-country. \nSiblings Elizabeth and Arejay Hale\, the core members of Halestorm\, formed the group in late 1997 near York\, Pennsylvania\, with Arejay on drums and Elizabeth on vocals and keyboard. Wanting to expand their sound\, the duo invited their father\, Roger\, to play bass with the band. Shortly after their first professional gig in 1998 at the Blue Mountain Coffee House in Hershey\, Pennsylvania\, Halestorm added various guitar players and released an EP\, 1999’s (Don’t Mess with The) Time Man. More lineup changes occurred\, but Halestorm finally solidified with Elizabeth (who was by then going by Lzzy) on vocals and guitar\, Josh Smith on bass\, Arejay on drums\, and Joe Hottinger on guitar. The band caught the attention of producer David Ivory as well as Atlantic Records — both were involved in the group’s major-label debut\, 2006’s One and Done\, a five-song EP recorded live at a show in Philadelphia. They would finally make their full-length studio debut in 2009 with the eponymous Halestorm\, all the while maintaining a rigorous touring schedule that would see them playing upwards of 250 shows a year. \nThe following year\, Halestorm released the concert recording Live in Philly 2010\, and Reanimate: The Covers EP appeared in 2011\, featuring the band’s takes on songs by Heart\, Guns N’ Roses\, and Lady Gaga. Their sophomore album\, The Strange Case Of…\, followed in 2012\, and the single “Love Bites (So Do I)” earned the group a Grammy Award for Best Hard Rock/Metal Performance. Reanimate 2.0 was released in 2013\, this time finding the band tackling Fleetwood Mac\, Daft Punk\, and Marilyn Manson. Halestorm’s eclectic third studio long-player\, the Jay Joyce-produced Into the Wild Life\, was released in April 2015\, and was preceded by the single “Apocalyptic.” The live EP Into the Wild Live: Chicago arrived in 2016\, followed in early 2017 by their third covers set\, Reanimate 3.0\, which featured songs by Whitesnake\, Metallica\, and Soundgarden. Vicious\, the band’s fourth studio long-player\, followed in July 2018 and earned the group a Best Rock Performance Grammy nomination for the single “Uncomfortable.” 2020 saw Halestorm issue Reimagined\, a six-song EP that featured stripped-down versions of five fan favorites and a cover of “I Will Always Love You.” \nTwo years later\, they unveiled their fifth long-player\, Back from the Dead. Produced by Nick Raskulinecz with co-production by Scott Stevens\, the 11-song set included “The Steeple” and “Back from the Dead\,” the latter of which became Halestorm’s sixth single to reach number one on the Active Rock charts. A deluxe edition of the album with seven new tracks arrived later that December. ~ Marisa Brown\, Rovi \n \nAn explosive American post-hardcore quintet with cross-genre tendencies\, I Prevail emerged in the early 2010s and found success the following year with a metallic rendering of Taylor Swift‘s “Blank Space.” The band earned a pair of Grammy nominations in 2019 with their chart-topping sophomore full-length Trauma. They returned in 2022 with True Power\, which injected electronic\, pop\, and hip-hop elements to their attack. \nBased out of Southfield\, Michigan\, I Prevail formed in 2013 around the talents of Brian Burkheiser (vocals)\, Eric Vanlerberghe (vocals)\, Steve Menoian (guitar)\, Jordan Berger (guitar)\, and Lee Runestad (drums). Employing a blistering blend of metalcore\, pop-punk\, and post-hardcore that invokes names like Bring Me the Horizon\, We Came as Romans\, and A Day to Remember\, the band issued their debut EP Heart vs. Mind through Fearless Records in December 2014. A hard-hitting cover of Taylor Swift‘s “Blank Space\,” which elicited over two million views on YouTube\, helped further establish the band as a rising force within the hardcore scene. They later proved their original songwriting capability with the release of their 2016 debut album\, Lifelines. Featuring a re-tooled lineup that consisted of Burkheiser\, Vanlerberghe\, Menoian\, and new guitarist Dylan Bowman\, the LP debuted at number one on the Billboard alternative\, hard music\, and rock charts. The following year\, the group parted ways with Runestad and bassist Tony Camposeo\, recruiting replacements Gabe Helguera and Eli Clark. They got to work on their follow-up album while touring with the Word Alive\, We Came as Romans\, and Escape the Fate. \nIn 2019\, the band returned with sophomore effort Trauma\, which included the singles “Bow Down” and “Breaking Down.” At the end of the year\, they received a Grammy nomination for Best Rock Album and “Bow Down” entered the fray\, competing for Best Metal Performance. The following year saw the band release a stripped-down acoustic version of the moody Trauma single “Hurricane.” After “DOA\,” a collaborative single with rapper Joyner Lucas\, I Prevail issued a live version of their previous album under the title Post Traumatic\, recorded around the world in 2019 and 2020. In 2022\, they released their third LP\, True Power\, which continued to push their genre experimentation in fresh directions\, incorporating cinematic electronic production\, rap verses\, and even shimmering pop ballads. \n \nHollywood Undead hail from the streets of Hollywood\, California\, mixing brash hip-hop\, rock\, and minor metalcore touches with cocky posturing. With their colorful pseudonyms and unique hockey goal tender-inspired masks\, the band debuted in 2008 with Swan Songs\, but didn’t hit their commercial stride until the release of their 2011 sophomore effort\, American Tragedy\, which cracked the Top Ten on the Billboard 200 chart. Subsequent outings like Notes from the Underground (2013)\, Five (2017)\, the two-volume New Empire (2020)\, and Hotel Kalifornia\, performed just as well\, if not better\, cementing the group’s reputation as one of rapcore’s leading lights. \nOwing much of their popularity and exposure to the social networking website MySpace\, the group started as the musical project of J-Dog and Tha Producer in June 2005. They uploaded some new music to their profile and very quickly started amassing song plays and online friends with tracks about drinking\, sex\, and emo kids. “The gang\,” as the guys liked to refer to themselves\, grew to include six members: J-Dog and Tha Producer alongside Charlie Scene\, Johnny 3 Tears (formerly called the Server)\, Funny Man\, and Da Kurlzz. As the band’s online profile steadily increased\, MySpace head honcho Tom Anderson wasn’t immune and wound up featuring Hollywood Undead’s song “No. 5” on MySpace’s first compilation album\, in addition to giving them the distinction of being the first act signed to the site’s new record label (distributed by Interscope) in 2005. \nSwan Songs finally appeared in 2008 on A&M/Octone Records. A year later\, that label released an album of B-sides\, live tracks\, and covers titled Desperate Measures. In 2010\, vocalist Aron “Deuce” Erlichman left the group; he was replaced by Daniel “Danny” Murillo\, a former contestant on American Idol and lead singer of Lorene Drive. After shows with Avenged Sevenfold on The Nightmare After Christmas Tour\, Hollywood Undead released their sophomore album\, American Tragedy\, in April of 2011\, and the album debuted in the Top Five of Billboard’s Top 200. The following November\, A&M/Octone Records released a remix version of the record called American Tragedy Redux\, which featured mixes by Andrew W.K.\, Borgore\, and KMFDM\, among others. \nIn January of 2013\, after embarking on The Underground Tour\, Hollywood Undead released their third studio album\, Notes from the Underground\, which proved to be their highest-charting outing to date\, landing at the number two spot on the Billboard Top 200 and soaring to number one on the Canadian albums chart. Their hotly anticipated fourth studio album\, Day of the Dead\, arrived in March 2015\, and was preceded by the singles “Usual Suspects\,” “Gravity\,” “How We Roll\,” and the explosive title cut. The band returned to the studio in late 2016 to record its fifth studio album\, Five. With their contract with Interscope finished\, Hollywood Undead set up their own label\, Dove & Grenade Media\, in collaboration with BMG to release the album. The first single\, “California Dreaming” — a scathing look at the inequalities between the two sides of Los Angeles culture — was released in mid-2017\, with the full-length Five arriving later that October. In 2018 the Undead released the standalone single “Gotta Let Go\,” a summery blast of feel-good nostalgia about letting go of pain. The EP Psalms also arrived that year. Two years later\, the band released their sixth album\, New Empire\, Vol. 1. A deliberate attempt to change their sound\, it was heavier than before\, with more electronic elements. The like-minded sequel\, New Empire\, Vol. 2.\, arrived in 2020. In 2022\, the band issued their eighth full-length effort\, the confident and earworm-friendly Hotel Kalifornia. \n \nTrauma and tragedy transfer from one generation to the next. As difficult as it may be\, we still possess the power to break the cycle and start anew. Fit For A King ponder the pain of these cycles and the possibility to end them on their seventh full-length offering\, The Hell We Create [Solid State]. The Texas quintet—Ryan Kirby [vocals]\, Bobby Lynge [guitar]\, Daniel Gailey [guitar]\, Ryan “Tuck” O’Leary [bass]\, and Trey Celaya [drums]—explore this ebb and flow with a deft\, yet delicate balance of sharp metallic intensity and soaring melodic energy. “The album is a reflection of the events that happened throughout the pandemic\,” recalls Ryan. “In short\, my wife and I adopted children and had to homeschool them. She almost died from a stroke. The Hell We Create is by far the deepest and most personal record we’ve ever written.” In 2011\, Fit For A King emerged out of Texas with a searing signature style rooted in metal and hardcore and uplifted by hypnotic hooks. Following the breakout LP Creation/Destruction [2013]\, they earned four consecutive Top 5 debuts on both the Billboard Top Christian Albums Chart and the Top Hard Rock Albums Chart with Slave to Nothing [2014]\, Deathgrip [2016]\, Dark Skies [2018]\, and The Path [2020]. The latter marked their first #1 on the Top Christian Albums Chart and Top 10 on the Billboard Top Album Sales Chart. Plus\, the band collaborated with fellow heavy-hitters such as August Burns Red and We Came As Romans.
URL:https://clicksfromthepit.com/event/halestorm-i-prevail-at-arizona-financial-theatre/
LOCATION:Arizona Financial Theatre\, 400 W Washington St\, Phoenix\, AZ\, 85004\, United States
ATTACH;FMTTYPE=image/png:https://clicksfromthepit.com/wp-content/uploads/2024/06/HALESTORM-I-PREVAIL-LIVE-at-ARIZONA-FINANCIAL-THEATRE.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/Phoenix:20240816T183000
DTEND;TZID=America/Phoenix:20240816T233000
DTSTAMP:20260615T082729
CREATED:20240807T022049Z
LAST-MODIFIED:20240807T022049Z
UID:4514-1723833000-1723851000@clicksfromthepit.com
SUMMARY:Limp Bizkit at Talking Stick Resort Amphitheatre
DESCRIPTION:Limp Bizkit is an American nu metal/rap metal/rap rock band from Jacksonville\, Florida. Their lineup consists of Fred Durst (lead vocals)\, Sam Rivers (bass\, backing vocals)\, John Otto (drums\, percussion)\, DJ Lethal (turntables)\, and Wes Borland (guitars\, vocals). Their music is marked by Durst’s angry vocal delivery and Borland’s sonic experimentation. Borland’s elaborate visual appearance\, which includes face and body paint\, masks and uniforms\, also plays a large role in the band’s live shows. The band has been nominated for three Grammy Awards\, have sold 40 million records worldwide and won several other awards. \nFormed in 1994\, Limp Bizkit became popular playing in the Jacksonville underground music scene in the late 1990s\, and signed with Flip Records\, a subsidiary of Interscope\, which released their debut album\, Three Dollar Bill\, Y’all$ (1997). The band achieved mainstream success with their second and third studio albums\, Significant Other (1999) and Chocolate Starfish and the Hot Dog Flavored Water (2000)\, although this success was marred by a series of controversies surrounding their performances at Woodstock ’99 and the 2001 Big Day Out festival. \nShortly after the release of Chocolate Starfish and the Hot Dog Flavored Water\, Limp Bizkit went on a hiatus while Fred Durst recovered from being crucified by Slipknot. Borland left the group in 2001\, but Durst\, Rivers\, Otto and Lethal continued to record and tour with guitarist Mike Smith. Following the release of their album\, Results May Vary (2003)\, Borland rejoined the band and recorded The Unquestionable Truth (Part 1) (2005) with Durst\, Rivers\, Lethal and drummer Sammy Siegler before entering a hiatus. In 2009\, the band reunited with Borland playing guitar and began touring\, culminating with the recording of the album Gold Cobra (2011)\, after which they left Interscope and later signed with Cash Money Records. In 2014\, a sixth studio album\, Stampede of the Disco Elephants\, was to be released but remained in development hell. Eventually\, a new album called STILL SUCKS was recorded with all of the original band members and released digitally only in October 2021. \nFred Durst grew up in Jacksonville\, where he took an interest in breakdancing\, hip hop\, punk rock and heavy metal. He began to rap\, skate\, beatbox and deejay. While mowing lawns and working as a tattoo artist\, he developed an idea for a band that combined elements of rock and hip hop. Durst played with three other bands\, Split 26\, Malachi Sage\, which were unsuccessful\, and 10 Foot Shindig\, which Durst left to form a new band. Durst told Sam Rivers\, the bassist for Malachi Sage\, “You need to quit this band and start a band with me that’s like this: rappin’ and rockin’.” Rivers suggested that his cousin\, John Otto\, who was studying jazz drumming at the Douglas Anderson School of the Arts and playing in local avant garde bands\, become their drummer. Durst\, Rivers and Otto jammed and wrote three songs together\, and Wes Borland later joined as a guitarist. \nDurst named the band Limp Bizkit because he wanted a name that would repel listeners. According to Durst\, “The name is there to turn people’s heads away. A lot of people pick up the disc and go\, ‘Limp Bizkit. Oh\, they must suck.’ Those are the people that we don’t even want listening to our music.” Other names that were considered by Durst included Gimp Disco\, Split Dickslit\, Bitch Piglet\, and Blood Fart. Every record label that showed an interest in the band pressured its members to change its name. Limp Bizkit developed a cult following in the underground music scene\, particularly at the Milk Bar\, an underground punk club in Jacksonville. The band’s local popularity was such that Sugar Ray\, who had a major label contract\, opened for a then-unsigned Limp Bizkit at Velocity with hip hop group Funkdoobiest. Milkbar owner\, Danny Wimmer\, stated that Limp Bizkit “had the biggest draw for a local band. They went from playing ten people to eight hundred within months. Fred … was always marketing the band. He would go to record stores and get people involved\, he was in touch with high schools.” However\, the band knew that to achieve national success\, they would have to distinguish themselves in their live performances. Attracting crowds by word of mouth\, the band gave energetic live performances\, covering George Michael’s “Faith” and Paula Abdul’s “Straight Up”\, and featuring Borland in bizarre costumes. Borland’s theatrical rock style was the primary attraction for many concert attendees. \n \n \nEveryone likes to romanticize the working class.  It’s easy to fool yourself into thinking you understand a perspective because you saw it in a netflix doc or read something from a best selling “culture” critic.  But what if you’re on the other side of that story\, focused on survival\, watching the world pay attention to all the wrong things\, waking up each day fighting to get to the next. \nWhat if the sci-fi dystopian future happening this very minute\, is your reality\, and all you have is a guitar\, cheap synthesizer\, old computer and a tangled rusty voice? \nThat’s the constant starting-line embraced by N8NOFACE. \nOriginally from Tucson\, N8NOFACE made his way to LA to double down on the visual\, audio and live expression naturally running through his veins.  While his influences range from Suicidal Tendencies to Stones Throw compilations of minimal wave music\, his sound can be uniquely classified as the past\, present and future heartbeat of the real LA.  A dirty melding of 80s/90s nostalgic synthpunk combined with the amalgamation of chaos heard in grimy soundcloud rap tapes. \nN8NOFACE screams for those left behind\, presenting the hard truth of police brutality\, mental health\, and the untold stories of the voiceless.  His 1-2 minute minimalist distorted dark synth movements challenge every listener to accept what the real world sounds like\, and dares the complacent to be shocked out of their musical safety net of never-ending sameness. \n \n \nCorey Feldman is an American Singer & Songwriter who has been entertaining audiences globally for almost 50 years. Corey released his 1st Single “Something in your Eyes” in 1989 for “Dream a Little Dream” soundtrack. He followed up with 1994’s LOVE LEFT became his 1st full LP release. Through the 90’s and 2000’s Corey landed multiple sync deals\, had several successful American tours and continued to release solo projects and also released albums with his band Truth Movement. In 2013 Corey’s single “Ascension Millennium” went Viral and was picked up by MTV. This was a major turning point for Feldman as a musician. Corey continued to evolve musically\, with his album “A2TC”. In 2014 Corey’s single “Everybody” (Feat. Doc Ice of Whodini & U.T.F.O) became his first of many DRT top 20 charting singles. By 2016 Corey scored his first Top 40 Billboard hit with“Go 4 it” peaking at No. 32. In May 2020 “U R Free” peaked at No. 17 on Billboard. By 2022 Feldman’s CiFi Records made some big announcements. Michael DeBarge is now C.O.O. of CiFi Records\, and is now a joint venture with Midtown Radio & Records\, Distribution is through Sony/Orchard. If that wasn’t enough Feldman announced his 1st Sony release titled “Without U” Peaked at #21 on Billboards Adult Contemporary Indicator Chart. Now Feldman and his band have just released a brand new single CALLED The Joke with a video directed by Fred Durst \, & are preparing for a 24 city Arena tour opening for Limp Bizkit. COREYFELDMAN.NET \n \n 
URL:https://clicksfromthepit.com/event/limp-bizkit-at-talking-stick-resort-amphitheatre/
LOCATION:Talking Stick Resort Amphitheatre\, 2121 N 83rd Ave\, Phoenix\, 85035\, United States
ATTACH;FMTTYPE=image/webp:https://clicksfromthepit.com/wp-content/uploads/2024/08/Limp-Bizkit-at-Talking-Stick-Resort-Amphitheatre.webp
END:VEVENT
END:VCALENDAR