Lacuna Coil at The Van Buren

If you know Lacuna Coil then you’ll already be aware that every album entry in their storied career is more than just a sound. Each one is a richly textured soundtrack to a specific time and a place. With Sleepless Empire, that place is dark, cinematic, and unmistakably true to the unique characteristics that have given Lacuna Coil such a celebrated entry in the annals of heavy music.
As founding songwriter-in-chief Marco Coti Zelati, aka Maki explains, while the writing process for Lacuna Coil’s tenth studio record began in December, the record’s real creative birth coincided with the release of 2022’s Comalies XX, a 20th-anniversary reimagining of their landmark 2002 record, Comalies. It was more than an epic and rapturously received reinvention of that 21st century classic. It would serve to align the past, the present, and the future of Lacuna Coil as they take their first steps into the fourth decade of their remarkable career.
“I never get stuck in the past,” says Maki. “Sure, I still love Type O Negative and Paradise Lost, but I also love soundtracks: big orchestral stuff like Hans Zimmer, Danny Elfman or even John Williams. If people had a chance to listen to Sleepless Empire without the voice, guitars or drums – the orchestral part – it’d be a soundtrack because it’s very cinematic and that’s how I spend most of my time. I grew up watching movies all day long, even with my father – there was this massive culture of movies and soundtracks, even iconic horror ones like Friday the 13th or Halloween and obviously growing up in Italy, Goblin and their incredible soundtracks for Profondo Rosso and Suspiria.”
And from the colossal refrains of album opener The Siege to the wickedly catchy I Wish You Were Dead and the irrepressibly classic feel of Sleepless Empire’s title track, there’s no mistaking the confidence of Lacuna Coil’s latest, and it has its share of surprises, too. They come in the form of two very special guest appearances from none other than New Years Day banshee Ash Costello on their epic In The Mean Time and an ear-splittingly over-the-top contribution from Lamb of God singer Randy Blythe on Hosting the Shadow. According to founding vocalist Andrea Ferro, Randy’s inclusion was a family affair.
“We met Randy when we did Ozzfest together back in 2004,” he says. “We were on the same stage and we started a friendship and always stayed in touch – we toured together in so many different situations and at so many festivals, so we know each other – he’s really like a part of the family to us. Finally doing a collab with him was both a natural thing but also a huge honor for us, as we’re friends but also fans.”
As for the addition of Ash Costello to the proceedings, it came from a place of mutual admiration and wanting to bring her celebrated vocal style into the fray.
“We were searching for that perfect ‘rock’ voice,” Ferro explains. “Not too clean or symphonic but rather something with fire in it, and she has it – exactly what we needed for that part. We really loved what she did to the song, it’s absolutely perfect.”
And if there’s a special edge to Sleepless Empire it’s about more than that vocal cross pollination alone. As Ferro explains, the key to Lacuna Coil’s eternally youthful aura is their curiosity and ability to respond creatively to new inspiration without losing sight of the qualities that make them who they are – and he counts Sleep Token, Spiritbox, Bad Omens, and Bring Me The Horizon as examples of other bands who are doing the same to keep the scene and their own sounds vibrant. That independent spirit has been key to balancing Lacuna Coil’s artistic prerogative against the weight of expectation, and Ferro is emphatic when describing how these strange times have generated no shortage of material to influence Sleepless Empire’s weighty lyrics and mood.
“Our sound is dark because it reflects the society we’re living in – it’s a portrait of our times,” he says. “We’re from a unique generation that remembers the analog world but lives in the digital one, we’re the first generation that’s lived through both so we’ve been witnesses the change to our society and that’s the Sleepless Empire. Everyone is always on their phone, always scrolling, always doing something – morning to night, it just never stops.”
And it’s perhaps the simultaneous promise and peril of our increasingly tech-governed world that’s been on Cristina Scabbia’s mind for some time, an unease she’s channeled into Lacuna Coil’s latest. It’s a feeling she’s unafraid of expressing outside of the studio, too.
“Before Comalies XX we literally stopped creating,” she says. “With the pandemic going on, everything was so negative around us that we didn’t want to connect to anything and in some way, it was like a comeback for us because it renewed our love of songwriting, but we needed to find a spark that’d create the concept for our record. We love singles, but we like an idea of a whole record that tells a story – the kind that captures a moment in time.”
It’s a philosophy that’s reflected in every aspect of Sleepless Empire. The album’s box set includes an Oracle divination game which the band have playfully hidden in the booklet for fans to find. It also influenced their decision to work with Neapolitan illustrator Roberto Toderico, whose stunning cover art is something that Cristina explains reflects a deeper sentiment than a purely aesthetic choice. It’s an expression of the band’s desire to remain defiantly authentic in an increasingly challenged creative landscape.
“I met Roberto at a comic convention. I love his work because it’s completely handmade,” she says. “People pretend that AI is creating something new and I disagree with that. I’m not against tech, what I’m against is people confusing tech with 100% creativity like music or painting or drawing that comes from what you have inside. I understand people’s pain from all this because I feel that too.”
It’s perhaps that perspective that gives Sleepless Empire such a timely but timeless feel. It’s a portrait of these times, and a powerful statement of intent from a band at ease with their past and defiantly forging ever-forward.

In their almost 20 years as a band there have been many changes to the lineup of  – with vocalist  holding down vocals for 15 of them. In preparation for their upcoming album –– they have reached peak stability and happiness. They may come at the music from different directions, but both Ortiz and Mabbitt agree on the importance of the band’s live presentation. “Whether it is 500 or 50,000 people in the room, we BRING IT,” says Mabbitt. Ortiz agrees and adds “the honor of the ability to do this for a living for our amazing fans is not lost on us. We are really grateful.” Gratitude and humility are the buzzwords for the new .

Another thing that is new is the official addition of longtime bassist, Erik Jensen, to the lineup. TJ Bell has been ‘the glue’ that held the chaotic lot together in his nearly 10 years with the band. Matti Hoffman is the coffee-chugging, guitar-solo-writing, high-energy new guitarist taking on his duties while Kevin ‘Thrasher’ Gruft explores the world of production.

Laying themselves bare for the fans, it is a re-invigorated  on . New label (Big Noise – run by longtime collaborator producer John Feldmann), new bandmates and a new lease on life for each of them, the only thing that has not changed is ’s love for their fans and determination to give them the very best of which they are capable.

Self-described death-pop duo VOWWS write buzzing, hook-filled songs that thread together influences such as new wave, surf rock, goth, and film scores. The duo’s music is dark and dreamy yet focused and energetic, prioritizing melodies and warmth while experimenting with unconventional song structures and textures. The group’s 2015 debut album, The Great Sun, featured a collaboration with synth pop pioneer Gary Numan, and the duo subsequently shared the stage with Deftones, Cold Cave, and the Soft Moon. After collaborating with Chino Moreno and Chelsea Wolfe, the band released their third album, I’ll Fill Your House with an Army, in 2025.

Originally from Sydney, Australia, Rizz and Matt lived in New York City for a few years, releasing an album under the name WAZU in 2012. Refining their blend of synth pop, metal, industrial, and other influences, the duo issued a self-titled EP as VOWS in 2013. In 2015, the duo relocated to Los Angeles and signed with Cleopatra Records, releasing full-length The Great Sun under the altered name VOWWS that year. Gary Numan guested on the single “Losing Myself in You,” and Swans drummer Thor Harris also contributed to the album. The duo spent the next few years writing new material and playing gigs with bands such as Sextile and Prayers. In 2018, VOWWS’ second album, Under the World, was released by Weyrd Son Records, and the duo toured across North America with Soft Kill. After VOWWS appeared at the Dia de los Deftones festival in San Diego that November, Deftones leader Chino Moreno appeared on “Structure of Love II,” a reworked version of a song off Under the World.

VOWWS released the songs “Impulse Control” and “Stay Where You Are” in 2020. A cover of Britney Spears‘ “Womanizer” appeared in 2021. “One by One”/”Shadow Man” was released in 2022, and VOWWS additionally collaborated with Chelsea Wolfe on the song “WAIT.” After signing with German label Out of Line, VOWWS returned with their third full-length, I’ll Fill Your House with an Army, in 2025. The song “SHUDDER” featured James “Munky” Shaffer from Korn and drummer Josh Freese (Nine Inch Nails, Guns N’ Roses, Foo Fighters).