Volbeat + Halestorm at Talking Stick Resort Amphitheatre

Volbeat, consisting of Michael Poulsen (vocals, guitar), Kaspar Boye Larsen (bass), and Jon Larsen (drums) have earned more than 143 platinum and gold certifications around the globe, and scored ten #1 songs on the Billboard Mainstream Rock airplay chart, the most ever for a band based outside North America. For their ninth album, God Of Angels Trust, Poulsen threw caution to the wind, paying little heed to traditional songwriting in the search for something more immediate and surprising. God Of Angels Trust is a punchy, crunchy album that’s undeniably Volbeat, yet marches to a fresh new metallic and melodic energy. From Poulsen’s more instinctual songwriting came more anthemic, tuneful, and instantly recognizable rhythms and hooks. The band tracked the album with longtime producer Jacob Hansen in the fall of 2024. To keep the music sounding urgent and immediate, Volbeat recorded live in the studio, playing as few takes as possible before moving from one song to the next. Just thirteen days after they started working with Hansen, Volbeat were finished. As a result, God Of Angels Trust sounds as fleshed out, eclectic, and fulfilling as albums that have taken ten times longer (or more) to create. In the end, creating such a strong album so quickly was a tremendous challenge that demanded Zen-like calm, a joy for exploration, maximal creativity, and razor-sharp concentration to pull off.

Led by charismatic vocalist/guitarist Lzzy Hale, Pennsylvania-based post-grunge/metal quartet Halestorm are one of the most successful hard rock groups of the early 21st century. With an aggressive yet hook-heavy sound that has become a fixture of American rock radio, Halestorm have toured restlessly, playing hundreds of shows per year and sharing the stage with nearly all of the popular American hard rock acts of their era. In 2013, the band took home a Grammy Award for Best Hard Rock/Metal Performance for the single “Love Bites (So Do I),” which appeared on their sophomore studio effort, The Strange Case Of…. Subsequent efforts Into the Wild Life (2015), Vicious (2018), and Back from the Dead (2022) have shown the group to be equally adept at muscular hard rockers and piano-driven power ballads, and their sound has branched out to include elements of dance music and pop-country.

Siblings Elizabeth and Arejay Hale, the core members of Halestorm, formed the group in late 1997 near York, Pennsylvania, with Arejay on drums and Elizabeth on vocals and keyboard. Wanting to expand their sound, the duo invited their father, Roger, to play bass with the band. Shortly after their first professional gig in 1998 at the Blue Mountain Coffee House in Hershey, Pennsylvania, Halestorm added various guitar players and released an EP, 1999’s (Don’t Mess with The) Time Man. More lineup changes occurred, but Halestorm finally solidified with Elizabeth (who was by then going by Lzzy) on vocals and guitar, Josh Smith on bass, Arejay on drums, and Joe Hottinger on guitar. The band caught the attention of producer David Ivory as well as Atlantic Records — both were involved in the group’s major-label debut, 2006’s One and Done, a five-song EP recorded live at a show in Philadelphia. They would finally make their full-length studio debut in 2009 with the eponymous Halestorm, all the while maintaining a rigorous touring schedule that would see them playing upwards of 250 shows a year.

The following year, Halestorm released the concert recording Live in Philly 2010, and Reanimate: The Covers EP appeared in 2011, featuring the band’s takes on songs by Heart, Guns N’ Roses, and Lady Gaga. Their sophomore album, The Strange Case Of…, followed in 2012, and the single “Love Bites (So Do I)” earned the group a Grammy Award for Best Hard Rock/Metal Performance. Reanimate 2.0 was released in 2013, this time finding the band tackling Fleetwood Mac, Daft Punk, and Marilyn Manson. Halestorm’s eclectic third studio long-player, the Jay Joyce-produced Into the Wild Life, was released in April 2015, and was preceded by the single “Apocalyptic.” The live EP Into the Wild Live: Chicago arrived in 2016, followed in early 2017 by their third covers set, Reanimate 3.0, which featured songs by Whitesnake, Metallica, and Soundgarden. Vicious, the band’s fourth studio long-player, followed in July 2018 and earned the group a Best Rock Performance Grammy nomination for the single “Uncomfortable.” 2020 saw Halestorm issue Reimagined, a six-song EP that featured stripped-down versions of five fan favorites and a cover of “I Will Always Love You.”

Two years later, they unveiled their fifth long-player, Back from the Dead. Produced by Nick Raskulinecz with co-production by Scott Stevens, the 11-song set included “The Steeple” and “Back from the Dead,” the latter of which became Halestorm’s sixth single to reach number one on the Active Rock charts. A deluxe edition of the album with seven new tracks arrived later that December.

Captivating bangers like “Engine 45,” “Avalanche,” “Aftermath,” “Wash It Away,” and “Pressure Point” are anthems for outcasts. Since its formation in El Segundo, California, The Ghost Inside has inspired international audiences with passion and determination. Tremendous obstacles never dampened their energy. The Ghost Inside is stronger than ever.

The lesson isn’t only about strength through adversity. In recent years, vocalist Jonathan Vigil, guitarists Zach Johnson and Chris Davis, bassist Jim Riley, and drummer Andrew Tkaczyk learned an esoteric truth about tranquility. As the axiom says, it’s the journey, not the destination, a theme throughout the band’s dynamic sixth album, Searching for Solace.

The Ghost Inside merges the New Wave of American Metalcore’s proficiency with punk’s urgency, building a bridge between more aggressive sounds and thoughtful messaging. Melody is another constant, explored to dizzying new heights in Searching for Solace.

Fury and the Fallen Ones (2008) and Returners (2010) preceded The Ghost Inside’s breakthrough album on Epitaph, Get What You Give (2012). Goodwill, momentum, and engaging live performances continued behind the conceptually driven Dear Youth (2014).